Steinberg WaveLab Professional 11: What’s it?
Steinberg’s first severe foray into the world of audio got here with 1995’s inaugural launch of WaveLab. Largely the work of a single developer, Phillipe Goutier, what began life as a easy audio recording and enhancing package deal has advanced right into a extremely succesful workstation geared in direction of pattern enhancing, audio mastering and sound restoration. To this finish, this system is filled with pro-grade processors, meters and options, all of which have obtained a major increase with the discharge of WaveLab 11.
As beforehand, this new model is available in each a cut-down Components version and a fully-featured Professional version, (reviewed right here). Each editions function a brand new podcast publishing assistant, and that is on the coronary heart of a brand new super-affordable Forged version, best for Podcasters/YouTubers.
Steinberg WaveLab Professional 11: Efficiency and verdict
Essentially the most vital adjustments in WaveLab Professional 11 are centred round montages. For individuals who don’t know, a ‘montage’ in WaveLab is a multitrack timeline on which a number of audio recordsdata and clips might be organized and processed.
Plugins might be utilized to particular person recordsdata and clips on the monitor degree, and on the montage output, permitting for detailed multi-stage processing chains to be created. There may be now a brand new hyperlink in that processing chain within the type of Monitor Teams, basically subgroups by means of which tracks inside a montage might be routed, processed and blended.
Moreover, tracks now have two new built-in processing sections that precede their plugin processing stage: The Clear part gives a DeHummer, DeNoiser and DeEsser; the Improve part gives a Voice Exciter, Reverb, 3-band EQ and a Maximizer. These processors are fundamental examples of their ilk, however they’re fast‘n’simple to make use of, and having them included on, and optimised for, all tracks is undoubtedly helpful.
Tracks additionally now have a built-in ducking instrument, used to scale back the extent of a monitor in response to the audio on different tracks. The instrument is just like a compressor in operation, decreasing a monitor’s achieve when the important thing degree exceeds a threshold, however gives extra detailed management than would a compressor. It’s additionally fast and straightforward to configure – simply allow it on the monitor, specify the ducking supply, and tweak the controls as wanted.
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Clips have been enhanced too, with a shiny-new Clip Envelopes function. These permit you to create automation curves to manage a clip’s quantity, pan and plugin parameters, and work in a well-recognized node-to-node fashion. On the draw back, there is no such thing as a approach to immediately management the curvature of the strains between envelope nodes. There’s a smoothing possibility, however this averages-out your complete clip envelope. Because of this you have to add many awkward-to-edit middleman nodes to information the smoothing course of.
Additionally, the precise values specified by the nodes could by no means really be used, as a result of the averaging usually pulls the smoothed curve away from these nodes. A bezier curve system, as present in Cubase and Nuendo, can be far simpler to work with. All of that mentioned, we like that clip parameter automation is now doable, and look ahead to it being improved in future updates.
Montages now totally utilise multi-core CPUs, resulting in a really noticeable efficiency increase, significantly when shifting between clips which have plugins utilized to them. And to prime issues off, WaveLab can now immediately exchange the soundtrack in a video file with out impacting the video encoding in any method. If embraced, this might carry big effectivity financial savings to a typical video manufacturing workflow.
Stem mastering and multichannel recordsdata
Stem mastering is an inherently fiddly course of, however WaveLab has all the time performed an honest job of simplifying the process as a lot as doable, and the brand new Monitor Lanes function makes issues that bit simpler nonetheless. Montage tracks might be cut up into as much as eight particular person lanes, every of which may host its personal unbiased playlist of clips. Clips that reside on lanes can have clip plugins and envelopes utilized to them, identical to every other montage clip, and a brand new Auto Grouping possibility makes it simple to lock the lane clips collectively for enhancing.
In the same vein, Steinberg has improved WaveLab’s dealing with of multichannel interleaved audio recordsdata, now supporting as much as 22.2 encompass channels, in addition to the Ambisonics recordsdata utilized in VR. As soon as opened in WaveLab you’ll be able to edit and work with the file in precisely the identical method as you’d a mono or stereo file, however you too can work on the person channels and move them to exterior editors if required.
One other nice function is that, when utilized in a montage, interleaved channels are mechanically extracted into mono and stereo tracks. With WaveLab 11’s new montage bussing and processing choices, this makes for a robust but fast method of engaged on encompass and Ambisonics mixes.
Metering and processing
WaveLab has by no means been in need of built-in metering instruments, however Steinberg has nonetheless included its glorious SuperVision metering plugin, as present in each Cubase 11 and Nuendo 11. This lets you create customized panels to meter your chosen mixture of degree, spectrum, stereo correlation, and extra. Additionally, by dint of being a plugin, you’ll be able to apply SuperVision at any level within the processing chain, which is very helpful in view of WaveLab’s new multichannel and stem mastering options.
Numerous different plugins have been carried over from WaveLab’s v11 stablemates too, particularly Frequency 2, Squasher, Imager, Quadrafuzz v2, and MixConvert v6. These present a superb further toolset to the prevailing Mastering and Restoration suites, that are nonetheless included with the software program. As well as there’s the brand new DeReverb plugin which makes use of a reverb impulse to filter out undesirable room noise. The plugin is designed for use on a stay enter, however so long as you create an impulse recording throughout a session will probably be joyful to work with pre-recorded audio too.
Final, however under no circumstances least, is LIN Professional, a brand new state-of-the-art dithering plugin that replaces the many years previous dithering strategies encapsulated in most dithering processors.
Being the brainchild of a single developer has all the time imbued WaveLab with a sure quirkiness, however these quirks are usually charming quite than annoying, and are mitigated by a complete popup assist system. By definition WaveLab is in fact a DAW, however it’s a very completely different beast to the likes of Cubase, Logic, Dwell, et al. The place these DAWs are all about creating music, WaveLab’s speciality is working with audio as a medium – extra artisan’s precision workshop than artist’s inventive studio. As such, this system sits in a comparatively area of interest space of the market, nevertheless it’s a distinct segment that WaveLab is aware of very effectively certainly, making it a near-perfect match for the mastering, enhancing and restoration duties that it’s designed for.
MusicRadar verdict: Important enhancements and new options make for a satisfying replace to Steinberg’s venerable audio enhancing, mastering and restoration platform.
Steinberg WaveLab Professional 11: The online says
“Wavelab Professional 11 pushes mastering ahead with an unlimited array of recent capabilities devoted not solely to simplifying and rushing up the workflow, but in addition gives formidable new instruments.”
SoundBytes (opens in new tab)
Steinberg WaveLab Professional 11: Palms-on demos
Steinberg WaveLab Professional 11: Specs
- OS Home windows: 64-bit Home windows 10 Model 20H2, 64-bit Home windows 10 Model 21H1.
- OS Mac: macOS Catalina, macOS Huge Sur.
- Apple silicon–based mostly Mac: Rosetta 2 App.
- CPU minimal: 64-bit Intel or AMD multi-core.
- CPU advisable: Intel i5 or quicker.
- RAM minimal: 4GB.
- RAM advisable: 8GB.
- Laborious disk free area: 4GB.
- Show decision advisable: 1920 x 1080.
- Port: USB Sort-A for USB-eLicenser.
- CONTACT: Steinberg (opens in new tab)